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Israelis take shelter after a rocket was fire from Gaza |
Thursday, November 22, 2012
As the dust settles: In the aftermath of Pillar of Defense
Thursday, December 1, 2011
Back to the Old Country Part V: There are still Jews in Poland?
Wednesday, November 16, 2011
Back to the Old Country Part IV: Neighbors
Thursday, November 3, 2011
Back to the Old Conntry Part III: Skeletons from the past
On my first day in Poland, as I sat jet-lagged in the only Kosher restaurant in Krakow, the "Olive Tree", my group leader told us each that we would be taking a day trip in a few days to small formally Jewish towns around Krakow. Only half aware of what was happening, me and my friend Alexandria were given a huge booklet of information, of which we were told we were going to be presenting on a town called Dzialoszyce. My first reaction: how do you even pronounce that?
Wednesday, October 5, 2011
Back to the Old Country Part II: Philosemites and Antisemites

My three week academic study trip to Poland, with 9 other graduate students, set off on Thursday June 30th. We were going, as students of history and the Holocaust, to look at modern issues concerning Jewish-Polish relations. We arrived in Krakow, smack in the middle of the 21st Jewish Culture Festival, which as we learned pretty quickly, is sort of a big deal in Poland. On our ride from the airport to our hotel, situated at the corner of the old city in Krakow, we caught glimpses of Jewish stars labeled with information for the festival- but it wasn't just a few signs, there were signs everywhere.
The Jewish Culture Festival in Krakow consists of tours of Jewish Kazimierz, Yiddish and Hebrew Language workshops, movies, lectures concerning history and present culture, Klezmer concerts (including a final "Jewish Woodstock" concert), Genealogist appointments, Shabbat dinner and services, open admission to Jewish museums, Jewish dance, Yiddish singing and more. Most events were offered in Polish and English, but there were a few in Yiddish and Hebrew (including a "Romeo and Juliet adaptation... in Yiddish). The festival itself, was widely attended, mostly by Poles, but also by Jews from Israel and the Diaspora. Poles, non Jewish Poles, were coming out in droves, to celebrate Jewish culture and religion. It was philosemitism at its best.
The Jewish Culture Festival is organized and was established by a non-Jewish Pole, Janusz Makuch. Most of the organizers are not Jewish. Most of the participants are not Jewish. It is in light of this, many criticize the festival as being unauthentic, or virtual: it lacks Jews. Ruth Gruber, in her book "Virutally Jewish" describes the festival, and also the renewed Jewish quarter Kazimierz, which now boasts Jewish restaurants, Klezmer music, and Jewish symbols. She describes the quarter virtual,

As the rest of my group made their way back to the hotel after the concert, they encountered a telling scene: a group of religious Jews, were making Havdallah near their hotel window. They were dressed traditionally: black suits, black hat, women covering their hair and wearing long skirts. Across from the window, outside, were a group of Poles, with cameras, taking pictures of the Jews making Havdallah. The participants in my group were taken aback: The real Jews were being treated either like old relics in a museum, behind a plane of glass. So while crowds flocked out to a crazy final concert, Jews were stuck in their hotel rooms, or being stared at while they performed religious ceremonies. We were the museum pieces, and left out of the Jewish fun. Was it ignorance? Was it antisemitism? It reminded me of the little Jewish dolls you can buy in almost any tourist shop around Poland: traditionally dressed Haredi Jewish men holding coins or bags of money. We were relics you buy and place on your fireplace mantel- stereotypes, virtual.
And here all the contradictions came flying in my face: on the one hand, the Poles are philosemites, celebrating the best of Jewish culture. On the other hand, it's unauthentic, pushing the Jews to the sidelines. Why are they even interested in Jews in the first place? Why do they care about Yiddish, and Jewish dancing and songs? Why are there tours informing Poles of long history of Jewish synogogues in Poland? And art, made by non-Jews expressing Jewish issues? Weren't the Poles antisemites, an image that is often held by many Jews? Didn't they want us gone? Weren't these the same Poles who instigated pogroms, even after Hitler's war was over? And the ones who purged out the last of the Jews in 1968? Yet, the more I stayed in Poland, the more I began to learn, that despite the lack of Jews, the history of the Jews does not exclusively belong to Jews.
The truth is that Poles do care about Jews, Judaism and a Jewish piece of their past, that isn't only Jewish, but also Polish. The Jews of the past, the ones that made up 10% of Polish population, weren't a separate part of the culture and country- they were part of it. Jewish culture was Polish culture, and the the Jewish culture festival, isn't only about celebrating Jews, but celebrating Poles, and Poland itself. I think that this concept is sometimes hard to grasp, especially considering that the younger generation of Poles never really knew a Jewish Poland. The Jews left over 60 years ago, and the growing Jewish community today in Poland, does not even hold a candle to the past. Yet, they are the generation that grew up in a place where the ghosts of the past could be seen everywhere. A foreign language, peaking out behind layers of paint, indentations of Mezuzah on their homes, and old decaying buildings, laden with Stars of David. The Jewish footprint exists in Poland- it is everywhere.
In Poland, contradictions are part of the past, they are part of the present and they are part of the future. True, the Jewish Culture Festival has virtual and unauthentic aspects, just like the "Jewish" restaurants in Kazimerez, but what

"My name is Janusz Makuch and I come from Poland. I come from a country of rabbis and tzaddikim, gaons and melameds, from a country of Jewish sages, writers, bankers, architects, painters, doctors, shoemakers and tailors, film directors and producers, physicians and politicians, scientists and Jewish soldiers, from a country of devout, good people. I come from a country of anti-Semites and goodhearted people, from a country of szmalcowniks (blackmailers and informers) and the greatest number of Righteous among the Nations, from the country of Father Rydzik and the country of John Paul II, from a country of anti-Jewish graffiti on synagogue walls, and a country where thousands of non-Jews study Jewish history, culture and religion, from the country of the German death camps and the country of the Warsaw Ghetto Uprising, from the country of Shmuel Zygelboim, Mordechai Anielewicz and Marek Edelman, and from the country of Jan Karski, Jan Nowak-Jezioranski and Wladyslaw Bartoszewski. I come from the country of the Vaad Arba Aratzot, the Jewish Parliament of the Four Lands, from a country of countless shtetls, yeshivas and Hassidic courts, from a country of Jewish autonomy and pluralism and I come from a country of the numerous clausus, ghetto benches, pogroms and murder. I come from a country whose greatness was co-created by Jews who were Polish citizens. And I come from a country that after the war kicked out Polish citizens who were Jews. I come from a country of anti-Semitic madness where they burned Jews in barns. And I come from a country of Christian mercy where they hid Jews in barns. My name is Janusz Makuch. I come from Poland and I am a goy, and at the same time for more than 20 years I have created and run the largest Jewish culture festival in the world. I'm a Jewish Pole - and I'm proud of it."
Friday, September 23, 2011
Back to the Old Country: 3 weeks in Poland

It’s weird to think that only 100 years ago, the number of Jews in Israel was insignificant, especially compared to its population today. Yes, there were Zionists, but they were only the first dreamers, tilling a land that was still quite empty. 100 years ago, America was a growing Jewish center; it was the Goldene Medina (Golden Land), the New World for Jews.
The real core of Jewish life, just 100 years ago, was Europe. And straddling in eastern and central Europe was the core of the core: Poland. A country where 10 percent of the population was Jewish, a country with millions of Jews, living in both shtetls and Jews the major cities. In Europe, there were Chasidic Jews, Orthodox Jews, Reform Jews, religion-hating Communist Jews, socialist Jews, Yiddish cultural Jews and more.
But today, it’s almost possible to forget this. Jews live in Israel, they live in America, they live scattered through Europe, but they don’t live in Poland anymore. Because Poland, for us Jews, is the land of death, the land of our ashes: Determined firmly by Nazi concentration camps that still grace the Polish landscape. And every year, Jews from around the world remember this. They travel, in groups to Poland for a week or two, touring the death camps and the concentration camps, reciting Kaddish at mass graves and proudly singing “Hatikva,” with Israeli flags hanging off their backs. Against all odds, they are reclaiming the continuity of the Jewish people. When we proclaim “never forget,” what we mean is that we will never forget that there was an attempt to exterminate us. We will never forget so that we can be assured it will never happen again.
Despite these trips, the hundred of years of Jewish life in Poland is sometimes forgotten. After all, we’ve transported that which was important to our new homes. We’ve rebuilt the Yeshivas in Bnei Brak, Mea Shearim and Brooklyn. Jews are still cooking cholent on Shabbos, and you can find knishes, pickled herring and matzah ball soup in the heart of Manhattan. Bubbies and Zaidies are still distributing Jewish guilt all over the world. And the politics and religion that developed in the old country are happily developing in new places.
And so, for us, Poland is the concentration camp. It is used as the symbol of what can never happen again. And along the way, we quickly sweep over the past, both the good and the bad of it.
This summer, I received an opportunity to travel to Poland, to study Jewish-Polish relations before, during and after the Holocaust, with nine other graduate students. The trip was three weeks. When I was asked what my plans were for the summer and I replied, “Three weeks in Poland,” the response was generally the same. “Three weeks in Poland?! What can you do in Poland for three weeks? That is so depressing. You only go to Poland to see the camps. You need one week, tops.”
But I was excited to go to Poland, to return to the Old Land. I felt that feeling that Jews feel when they go to Israel for the first time, like they are going home. I am, after all, a Polish Jew, somewhere down the line–so it really was like going home. And so, in the next few weeks, I would like to share with you an experience in Poland. Three weeks in Poland–with days that were depressing, that did make me want to take the next flight back to Israel, but also days that were fun and days that really challenged how Jews see and connect with both Poland and Poles.
While I was in Poland, I kept hearing the same story. The story is that as the Jews were wondering east through Europe, they arrived in Poland. However, after discovering the name, Polin in Polish, they knew they were destined to stay. In Hebrew, Po lin means ”Here we stay.” The land in Poland was once holy to Jews, and I wanted to find out, not only why, but if any of that remains.
Sunday, June 5, 2011
Blood Libel for the 21st Century?
For awhile now I have been following in the news a group called the “intactivists” who are attempting to ban circumcision in San Francisco. The group claims that no one, but the owner of the penis has a right to cut it off. Man was born perfect, they argue, and no one has the right to cut off the foreskin. When the child comes of age at 18, he can then choose to be circumcised. The group is likening male circumcision to female circumcision, and is claiming that it is a barbaric custom that is unethical. The group has succeeded in getting enough votes that the “circumcision ban” will be placed on the next Municipal Election Ballot. However, interesting enough as this topic is, as I could also write an entire blog ranting against these ideas, the topic of my blog is about a product of the campaign to convince San Franciscans to vote in favor of the ban.
I don’t believe the ban is antisemetic, definitely it infringes on religious freedom, but i don’t believe intrinsically it’s antisemetic, although perhaps anti-religious. This was until the campaign came out with “Foreskin Man”, a superhero that so far features in two comic books, that is meant to “enlighten” the public on the dangers of circumsion. So what does he do? He protects babies from the “monster mohel”. That’s right, Foreskin Man, a blond hair blue eyed man, goes around saving innocent babies from the evil Jew, who is represented pretty similarly to Nazi Germany’s depictions of Jews in the 1930s and 40s.

Which one is from Nazi Germany, and which was drawn today?
But where the comic book gets real interesting is its use of old blood libel accusations on Jews. Blood libel accusations, which came in all shapes and sizes in the Middle Ages, basically accused Jews of needing blood (generally Christian child blood) for sacrificial and religious purposes. In panel 36 of the comic book, the Aryan hero overhears the Mohel say: “And thank thee, O Lord, for the Joyous Metzitzah b’peh for which I am about to partake”, and then in panel 46, after the Monster Mohel is defeated by Foreskin Man, he says, “I’ll just keep coming back until his foreskin is mine”.
Metzitzah b’peh, a controversial form of Circumcision, where the Mohel sucks the blood out, in order to stop excess bleeding or infection, is not a common practice amongst Jews today or for a very long time. (A tube is used in common practice) Yet the choice to include it in the comic book, aside from being deceitful and unfair, not only makes a point against circumcision, but discriminates against Jews. We are the bloodsucking nation, and the Mohel clearly needs that foreskin, because he will just keep coming back for it. It really

Modern Antisemitism at its best
is reminiscent of Medieval times when the Jews were accused of capturing Christian babies and using its blood for Matzah. Here we are in 2011, after the Holocaust and the debunking of such silly myths, and yet it reappears in a new modern form.
Perhaps I’m taking the comparison a little too far, but one thing I’m not taking too far is the antisemitsm manifested in the comic book. Read the comic book, and judge for yourself, are you as offended as me?